The purpose of this blog is to share my design ideas with fellow Bytes and Pieces members, and anyone who is interested in Photoshop Elements. In our group, we explore various techniques particularly those which will be useful to us as stitchers and textile artists. The following articles are based on my own methods and I should point out that there are many ways to approach each exercise, probably better ways in some cases!

Monday, 2 May 2016

MAGIC WAND TOOL

When you open the tool, there are three settings to choose from which are:  

Contiguous - if checked, the Magic Wand will only select adjacent pixels of the same colour.  If you leave this setting un-checked it will pick out every pixel in the entire image of the same colour.  

Sample all Layers:  Check this only if you want to select pixels from any other visible layers at the same time.  

Tolerance:  There are many different shades making up one colour.  This setting allows you to chose how much of a colour you want to select.  If you have a low Tolerance setting, the Magic Wand will be be very choosy and only select a small number of pixels.  A higher setting will pick out much more.

The following examples ( Figs 1 and 2 ) show a partial selection ( Contiguous checked ), and a wider selection ( Contiguous un-checked ).  Both have a Tolerance of 30.

I have found this technique useful when I have wanted to brighten up an area of colour or change it slightly.  


FIG 1




FIG 2 



Anyway, lets have some fun!


The following two examples show a clock face.  I cropped the original photo ( Image - Crop) then converted it to Black and White ( Enhance - Convert to Black and White ).  I converted the original Background Layer to a new layer ( Layer - New - Layer from Background ), this makes the image transparent behind.  I then used the Magic Wand tool to select areas that I wanted to delete and hit Backspace on the keyboard. Fig.3.


I have used this image many times and in the next two examples, (Figs 4 and 5), I have added a new a gradient coloured background layer.



FIG 3





FIG 4





FIG 5


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